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Entries in Samut Songkran (7)
Samut Songkhran & Amphawa Village - A Good Day Out and About in Thailand









































































































Knowing the Ropes, Canals, Wats, and Alien Flesh (?) of Samut Songkhram

Rope Recycler
A couple of weeks ago Basil and I were driving up a country road on the way to re-shoot a Wat in Samut Songkhram when I saw this pile of roaps out of the side of my eye. We stopped to take a look. What we had stumbled upon was a back yard rope recycling operation. This part of Thailand is near a fishing port which apparently has enough used rope laying around to support this recycler.
The old ropes were sorted and separated for re-twisting.
There were all kinds of different ropes.
It looked like a complex procedure that required a high degree of exactness
Some of the rope looked quite new.
A boy learning the ropes . . . . holding the end of a set of ropes while a large flywheel at the other end twisted a new rope.
We continued on to The Boathouse Resort to shag a long-tail klong boat for some waterborne photography in the early morning.
We didn't have to go too far to find photogenic material.
The resort had recently pulled an old bicycle from the klong.
Beautiful tropical gardens everywhere.
Sometimes the backsides of tropical leafs are the most beautiful, like this . . .
. . . and this frond.
We hired a boat and headed into the swamps.
The klongs (canals) around these parts offer a mixture of dilapidated dock and commercial structures mixed with sublimely rustic beauty.
Life along the klongs looks very idyllic.
There are many old boats along the klongs, like this lovingly restored old river tug.
A relic of a bygone era: a Thai canal boat.
Lovely scenes of boats at dock.
This is my dream house. I may look to see if I can lease one of these. I would love to spend my week-ends here!
One could while away many hours in these klong houses.
Life along the canals is serene.
Maybe I can make a good deal on this "fix-er-upper."
I think my wife would prefer this old traditional Thai-style house.
Some people make their klong homes very special. I suspect many of these cool places are occupied by week-enders from Bangkok.
The old styles and weathered surfaces make for an atmosphere that calls to me. Why?
Many of these canal structures are only accessible by boat.
I have been up this particular klong many times, but I always take many photos of The Blue House (following).
Yep, me and this house have a connection. I don't know what it is.
Next time I'm in the area I will make an inquiry.
The shady side of The Blue Klong House.
I love how the use of pre painted used blue lumber creates it's own patterns and textures. Wonderful. I want to live here soooo badly!
As we putted along in our long-tail boat in the morning idyll, we happened upon an old woman hawking dried reeds from her little teak boat.
The same ancient commerce being plied along the same ancient klongs of Samut Songkhram.
This canal side boathouse was very charming.
I can see myself whiling away a day with a good book on this porch set deep in the palms.
Yep . . . I'm going to have to look into leasing one of these places . . . and soon.
Every now and then, around a bend, you fid someone doing commerce. You wouldn't go hungry if you lived in the canals . . . your lunch would come to you.
Around a bend we came upon a young man emptying a hollow log of it small crabs . . . perfect for sum-tam, a Thai favorite.
Live along the klongs is very attractive . . . and an ever more compelling force in my life.
OUT ALONG THE BANGKOK TO HUA HIN HIGHWAY.The last time we visited this Wat out among the salt pans of Samut Songkhran it was covered i scaffolding and painted a gleaming white. Today it is completed in its gold leaf . . . and stunningly beautiful.
A beautiful day. The old Wat structure, what I believe to be the original teak temple, was being dismantled. Too bad, it was so fantastic, but a reminder that Buddhism Thailand is a living institution, not an historical novelty or a simple tourist attraction.
A 5m mold for building giant Buddhas was left behind t the Wat.
I am at a complete loss to explain or understand this Wat display. A big donor? A friend of the abbot? You tell me
Samut Songkhran to Hua Hin Giant Wat
I always drive past this huge Wat on the way to Hua Hin.
When you enter the grounds of a Wat, you enter a completely different reality . . . the possibilities change.
The interior of this Was was AWESOME . . . . there is no other word for it.
On our way back we decided to stop in at a giant Wat along the highway. I have been watching this mammoth structure being build over a ten year period, so time to an update. WOW!
Simply gorgeous.
The detail on the giant Buddhas included myriad smaller Buddha images. Opulence beyond imagination.
The Wat grounds held this giant chedi, over 100m tall.
Interestingly, the big chedi held a smaller and much older chedi within.
A memorial image of an old revered monk or abbot.
Unbeknownst to us, we arrived on a day when a ceremony involving wrapping the old chedi with golden drapes . . .
. . . accompanied by monks chanting and the banging of a large gong!
There was a Wat gift shop with the chedi (there always is) that had on display some Buddha images for "sale" (donation) for your home altar. The plastic wrapping with the accumulated dust created an eerie visage.
We walked all around the Wat grounds. It was a very beautiful and serene place to spend part of an afternoon.
Devotional remnants.
Self Portrait.
One of the ways the Thais like to show respect is by radical festooning with colorful bunting.
Roadside Attractions:
We stopped several time o the way back to Bangkok to take photos of the visually interesting. Salt bag pattern.
We pulled over at a roadside purveyor of dries fruit of the sea: squid . . .
. . . and still more dried squid . . . .
. . . . an array of fish snack from many an oceanic phylum . . .
. . . and, yes, blister-packed dries and smoked fish. There was another kind of dried sea food there that could only be described as . . .
ALIEN FLESH:
I was very tempted to post these "alien flesh" photos as a straight "I just got back from the UFO Convention and took these photos of alien flesh." . . . but I didn't. That's all the world needs is more UFO "evidence" finding it's way onto the Internet!
More "Alien Flesh," southeast view.
There have been a lot of UFO sightings around this part of Thailand lately . . . . could this be dried and pressed alien skin, as the vendor claimed?
The Thai guy I bought these from said that these emerged from a dead alien, but died soon after contact with the atmosphere. But for only 180 Thai baht for the four piece set, who could pass it up?
The same Thai vendor said this was part of the head structure of the alien. I don't know . . . it doesn't seem right . . . but he was asking too much for them.




Samut Salt Pans Revisited

My friend and photography teacher, Basil, and his wife left Bangkok at 5:15am to reach the salt pans of Samut Songkhram at sunrise to take photos under the magical light of morning. We arrived at 6:30am to a driving tropical thunder and lightning storm. We bided our time taking photos of whatever was lit enough to shoot, like this frangipani flower . . .
. . . or this wet red morning flower.
The rain finally gave way to moody morning light reflected in the salt pans. Beautiful.
As the sunrise broke through the clouds a light shade of peach started to permeate the landscape. We got in my truck and raced down the road to see if there might be some salt harvesting between the storms.
Indeed! There was to be salt harvesting to be done . . . . interrupted by the rain.
We were in luck: there were cones of salt ready for porterage sitting in the light rain under the peachy morning light.
The light did not last long . . . but my-oh-my!
As we walked around the sunrise salt pan we noticed a dilapidated bamboo salt shed and went in for a look.
A soft, light rain fell on us as we stood transfixed within the beautiful mood invoked by the patterns and the light.
Why is dilapidation, a returning back to elemental substances, so beautiful?
Extraordinary textures.
The dampness of the morning rain and the soft light made the colors jump into your eye wherever you looked.
Basil was in Photographers' Heaven!
Cones of salt dissolving in the rain.
There had been terrible erosion of the salt cones in the rain. We spoke to one of the pan workers who said that 50% of the harvest had been lost because of the early rains. This is suppose to be the hot and dry season, not the rainy season.
We came back later in the morning and watched the salt laborers carry the salt out of the pans.
Scooping heavy wet salt is hard labor.
This crew worked very fast; perhaps they feared a resumption of the erosive rain.
The salt pan laborers ranged from the very old . . .
. . . to teenagers . . .
. . . all in a rush to stack (and cover) the newly harvested salt.
It didn't take long for this crew to empty the pan of its salt stacks.
We drove around on the small roads between the saalt pans and came upon a salt barge being unloded.
Hard physical labor in the stiffling heat and humidity.
A timeless scene under a cloudy sky.
We drove around on the farm roads between the salt pans and found an old Wat that was in the middle of a big building project . . . and I do mean BIG.
The building project involved putting the oldest wooden Wat on wheels and moving it to a new location.
The mundane and the spiritual exist side-by-side in the Wat.
Bangkok is a great city in which to live in its own right, but literally an hour from the great city are many marvels of rural life.
The old wooden Wat seemed very fragile; I did not go up the ladder to take a look, but Basil did.
Where the monks live.
The accidental aesthetics of the Wat is always surprising.
Although it is a place where the residents do not tend to the physical world, they make a beautiful place . . . perhaps because of it.
I love the textures of old spaces.
The deities that had been housed in the old wooden Wat had been removed, awaiting their placement in the new Wat under construction nearby.
Vestiges of earlier historical influences could be seen in much of the statuary, which were from the Hindu pantheon.
At the back of the Wat, in a stand of pine trees, there appeared a collection of very, very old Buddha statues.
The Buddhas were covered in a deep layer of pine needles. They looked as if they were emerging from beneath the ground.
Some of these Buddhas looked ancient.
Other Buddhas still showed remnants of their original coloration and adornment.
I could not tell if this collection of Buddhas were abandoned to this part of the Wat, were placed here in temporary storage awaiting the completion of the new Wat structure, or were intended to keep watch over the forest and the chedis that held the ashes of former monks and abbots interned nearby.
The forest chedis watched over by the ancient Buddha images.
The old chedis still revealed their carved Buddha embellishments.
Nearby, next to a stand of bamboo stood a large collection of spirit houses.
The tropical pole pine needles coated the spirit houses as well.
The pine needles, the stand of wispy trees and the golden spirit houses created a strange mood in the misty morning light.
Some spirit houses can be quite whimsical with their family of "inhabitants."
In the middle of the grove of spirit houses were the remnants of a blessing ceremony on a white table covered with pine needles.
The untended spaces of the Thai Wats allow for a stunning beauty to occur.
The monks at this Wat had a marvelous aesthetic sensibility . . .
. . . and a wacky architectural sense of humor! YOU tell me what's going on here!
We had had a wonderful day of discovery and wonder . . . and photography. As we drove home we noticed another crew of salt pan laborers clearing a pan in the distance, so, of course, we drove up a muddy road to take a look . . . .
. . . and more photos of this visually interesting process.
This second crew also worked at breakneck speed, and had the pan nearly cleared during the time we watched them.
It was a memorable day.

Back to the Wat and Colossal Buddha Image
Basil and I went back to this Wat we visited on March 26, 2012 (two months ago). The last time the Buddha image was wrapped in scaffolding and still painted white . . . and the old Wat structure was still intact. The had made some good "progress, althugh we wished they had saved the old teak wat building.
It is a gorgeous Buddha image. The reason we went back to this particular Wat was to properly photograph, with tri-pods and external flash guns, the old Buddhas in the forest, emerging from the pine straw . . . . but . . . .





The Tropics

Took a soothing long-tail boat trip up the rural canals (klongs) of Samut Songkhram recently. Wish you were here.
Samut Songkhram Salt Pans

If you have ever driven from Bangkok to the beaches of Hua Hin, you will have driven by the salt pans of Samut Songkhram.
Sometimes when you drive this road you see workers out in the salt pans preparing the salt for harvest.
The pans are flooded with sea water, from the nearby Gulf of Siam, and left to evaporate.
As more and more sea water evaporates, and more is added, the salt in solution becomes so saturated that it crystallizes.
To help the process, the salt crystals are raked up into rows and piles.
Working in that briny water all day in bare feet . . . . .
After all the salt has been removed, it is prepared for flooding again by a rolling machine.
These salt pan rolling machines are unique.
Wind mills are used to power the pumps that supply the sea water.

I took this photo eight years ago (2003) at the same salt pan during salt harvest time. The salt workers cover themselves against the harsh reflected sun and the ravages of the salt.